![]() ![]() He’d paint what was real and wouldn’t advertise a false reality in his paintings. Courbet’s personal view on art was to paint the seen and not paint anything he couldn’t see. The Impressionists got a lot of their ideas from the Realist painters and especially from the leader of the Realists, Gustave Courbet. Impressionism was the outcome of artists who were influenced by the controversial paintings of the previous art movement, Realism, and focused on capturing and communicating evanescent moments in a still image. ![]() Especially if it goes against the “normal” at that time. ![]() Although, would Impressionism be in the history books if it wasn’t mocked at first? New, revolutionary, and often controversial ideas are often scorned before they are accepted. The artist’s work hadn’t had a positive reaction from the Academy or the art critics. In the eyes of the art Academy in France, these artists were unlikely people to start an art movement. This group of individuals were later named the Impressionists after the divergent art they presented in their own exhibit. Impressionist exhibited together but painted in varying styles Interested in the effects of light and atmosphere Known for perfecting the technique if divisionism, in which dashes of complementary color were placed side by side on the canvas to create shadows Planned their pictures very carefully in order to reproduce the spontaneous experience of daily life.Audio recording of chapter opening segment:Īudio recording of the full chapter can be found here: Ī small group of artists and their approach to art revolutionized the art world. NATIONAL GALLERY OF ART, WASHINGTON, D.C.ġ3 JOHN SINGER SARGENT, 1882 DAUGHTERS OF EDWARD BARLEY OIL ON CANVASħ’ 3” X 7’ 3” MUSEUM OF FINE ARTS, BOSTON, MAĪRRANGEMENT IN BLACK AND GRAY (PORTRAIT OF THE ARTIST’S MOTHER) OIL ON CANVAS 56.8” X 63.9” MUSEE D’ORSAY, PARIS STERLING &FRANCINE CLARK ART INSTITUTE, WILLIAMSTOWN, MASSACHUSETTSġ0 MARY CASSATT, 1891 LETTER ETCHING AND AQUATINT 17” X 11 7/8”ġ1 AUGUSTE RODIN, 1881 THE THINKER BRONZE 23” MUSEE RODIN, PARISġ2 WINSLOW HOMER, 1873-1876 BREEZING UP OIL ON CANVAS 24 1/8” X 38 1/8” ![]() LE MOULIN DE LA GALETTE (PEOPLE IN PARIS) OIL ON CANVAS 131 X 175 CM MUSEE D’ORSAYĩ EDWARD DEGAS: 1983-95 DANCING LESSON OIL ON CANVAS 15 1/2” X 39 3/4” Art Academy was originally inspired by Plato’s school-called simply the Academy Art academies supervised the training of apprentice artist, arranged annual exhibitions called salons, and upheld standards of artistic correctness Over the years, most proved hostile to new and creative art The “avent-garde artists” would rebel having their own exhibitions and eventually the power of the academies were all but brokenħ CLAUDE MONET WATERLOO BRIDGE, SUNLIGHT EFFECT, 1903 OIL ON CANVAS Since the Renaissance various official groups have schemed to control the way art was taught and exhibited. Later ripped with rheumatoid arthritis Auguste Rodin: SculptorĮdouard Manet- connected with novelist Emile Zola Mary Cassett-American painter of Mother/children John Sargent: American John Whistler: American Impressionism (as a art name) was coined by Louis Leroy who mockingly called the artists in an article “impressionist” after Monet’s painting Impression, Sunrise (1872) The name stuckĤ WHO’S WHO: PRIMARY Claude Monet: Lily-pond painter was master of light and color, eventually went blind Khan Academy Edgar Degas: Ballerinas Pierre Auguste Renoir: Pollyanna with a paintbrush made dappled pictures of the good life, including copious nudes. Group of artist ( Monet, Degas, Renoir etc.) whose work had been rejected by the “stuffy” Salon held an exhibition of their own at the studio of the photographer Nadar. Presentation on theme: "IMPRESSIONISM:1860-1880 SPONTANEITY, DIRECTNESS, NEW EXCITEMENT TO THE ART OF PAINTING."- Presentation transcript:ġ IMPRESSIONISM: SPONTANEITY, DIRECTNESS, NEW EXCITEMENT TO THE ART OF PAINTING ![]()
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